A major concern of Andrew Kelly’s practice is how value may be placed on ‘artworks’. The work is produced in response to his feelings’ paradox, that either art is not appreciated enough, or sanctified too much, either by artists themselves or other figures in the art world.Kelly displays a capacity to initiate a series of enquiries that co-relate philosophical and conceptual discourse, a personal relationship with images derived from diverse environments and professional commitment to the exploration of digital media.